Anna’s Column: House Bourbon, Meet House Arendelle

Today, I visited Kingdom Hall to listen to a performance of Francesco Durante’s Danza, Danza, Fanciulla Gentile. The last few weeks have been a relatively quiet time for the Arendelle Philharmonic (they’re preparing a new concert – I’m keeping my lips sealed about what they’re playing!), and we’re still in the middle of arranging for the composer Clara Schumann to visit our kingdom. I thought it was a good time to mention my new opera singer. The papers have been circulating her name, so maybe you’ve heard about her already.

Luna de Bourbon.

It was Kai that had been advising me on how to take Vi’s great cultural project forward. She’d provided a very solid foundation, what with a lasting grant that would pay the Philharmonic members’ salaries for five years and the running costs of maintaining Kingdom Hall’s considerable upkeep (Arendelle has never had a cultural center before). Although I don’t accept Vi’s old ideas of imperial rule, her hardheaded ideas of hard and soft power have their merits. Ever since we built Kingdom Hall, our position as a cultural influencer throughout Europe has grown in correspondence to our military and diplomatic victories – not just over Russia but in keeping fiefs like those of Will Harrison under control, and even against the British East India Company way back in the early days of my tenure.

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